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Guy's Blog

Guy frequently keeps this blog updated with thoughts, challenges, interviews and more!

Category: Books and Writing

One fencing manual above all has a special place in my heart. I found Donald McBane's The Expert Sword-man's Companion from 1728 in the National Library of Scotland back in the early nineties, and persuaded my University tutor to let it onto the course she was teaching. My essay “The Gallant Pander” was in truth the first bit of proper historical swordsmanship research I ever did.

The book is amazing; it details a rather idiosyncratic version of French smallsword fencing, complete with a “boar's thrust”, but above and beyond that it has McBane's autobiography, detailing his outrageous feats, from leaping a gorge while running away from a battle, to fighting a duel on crutches, to making lots of money running prostitutes in army camps at the turn of the 18th century, to his final career as a very successful prize fighter. It is far and away the best, most amusing, autobiography ever written by anyone ever.

My friend Jared Kirby* has faithfully transcribed and published this book, to the extent of making every page look as much as possible exactly the same as the same page in the original. Jared is a stickler for detail, and he's done a remarkable job of making a transcription look like a facsimile. He has also cleaned up the illustrations until they are crystal clear. This edition also includes some very interesting additional information about McBane's many gladiatorial combats in the introduction by Ben Miller. The original is a very rare book, so this is as close as you're likely to come to owning a copy. You can see it here:

Seriously, buy this book. If you don't like swords, swordfights, duels, adventure or history, what the heck are you doing reading my blog?

*in the interests of transparency: Jared and I are old friends, so you might suspect me of bias. Let me put your mind at rest: 1) I loved McBane before I ever met Jared. 2) I would never recommend a book I don't think you'd like and get value out of, no matter who wrote it. 3) This book has a goddamn bigfoot in it. Seriously!

 

My urgent desire to snuggle up to Philippo Vadi has been gratified, and now you can do the same too. This lovely facsimile went live today, and you can get it from Amazon US, Amazon UK, or order it from any bookshop with the ISBN: 978-9527157091 Not every online store stocks it, probably because it's in Italian.

This is a pure and beautiful facsimile, with no translation, transcription, commentary or introduction; just you and the book. I’m rewriting Veni Vadi Vici at the moment, including a massively improved translation, but until that’s ready you must content yourself with this free copy of my first translation attempt.

And as if that wasn’t enough: I’m planning a reproduction of Meyer’s lovely 1560 manuscript, but am running into trouble with the print options. The trouble is caused by the format of the book- it’s landscape (wider than it is tall) rather than the more usual portrait (taller than it is wide). I’ve put together a summary of the options in this handy form— if you have an opinion, please share it with me there!

What's this? A new book? Or an old one? My recent fascination with producing affordable facsimiles of fencing manuscripts began with wanting to curl up in a chair with Vadi.

Mission accomplished.

The proof copy arrived this week, and I have released it for distribution. It will go on sale on February 28th. I set it that far ahead because it gives me some wiggle room in case I spot any errors in the print file, and because I imagine a lot of the people who bought Fiore's Il Fior di Battaglia will probably be interested in Vadi too, and it makes sense to space out these publications by a month. Fiore went out on the 28th January, so 28th February seemed auspicious.

You can preorder your full-colour hardback loveliness from Amazon US here. And from Amazon UK here.

Or use the isbn to search for it on any book store: 9789527157091

A loud shout-out to Bek Pickard of Zebedee Design who has made the book beautiful!

About a month ago I was checking through a pdf of Vadi's De Arte Gladiatoria Dimicandi, and thinking how lovely it would be to just pluck the manuscript off a shelf and curl up in an armchair with it. So I looked into getting a copy printed and bound locally. It was going to cost about £40. “Huh, that seems expensive” I thought to myself. “I wonder how much it would cost to get it printed by the company that does my print on demand publishing?” Then I thought- “you know what, I can't be the only person who wants one.” A quick email to my list triggered a deluge of “yes! do it! do it now! I want one!” responses, so I looked into the costs of getting it laid out and a cover designed.

Then it hit me that I really better do Il Fior di Battaglia first. That's a way more popular manuscript, and sales of it could very well subsidize producing Vadi… four weeks later, my facsimile of Fiore dei Liberi’s magisterial Il Fior di Battaglia is #1 in fencing on Amazon (where he assuredly belongs!) as well as #1 in “hot new releases” in martial arts!

The notion of a 600 year old book being a “hot new release” is gloriously ironic, but there you have it. The only modern text in the book is a note in the back saying where the manuscript is, and some details about it. I wanted to keep myself out of these books as far as possible; I mention my Mastering the Art of Arms books, of course, but also Bob Charrette's ArmizareTom Leoni's translation of the text, and some other resources, on the grounds that most readers of the book will be interested. But this is Fiore's book, not mine. It is his manuscript, laid out, but not edited, translated or commented on. It's just its own pure gorgeous self.

 

Our spiffy logo

And now Vadi is laid out, uploaded to the printers, and I'm eagerly awaiting the proof copy.

The ease and sheer pleasure of producing these facsimiles has lead me to create a new imprint, Spada Press, which even has its own (very basic, don’t go there! ok, you can if you want, but I warned you) website up at www.spada.press  I expect I’ll shift all my book publishing over to that imprint, to help keep the various aspects of my work separate. Expect facsimiles of Meyer (the 1560 ms), at least one other Fiore ms, Marozzo, Fabris, and hopefully Capoferro, in the near future. I welcome requests!

On the subject of books: I have been delighted by the way my beta-readers have been responding to the first draft of The Theory and Practice of Historical European Martial Arts, which I released a 100 copies of recently. While they like the book, they have also made some really useful suggestions for improvement. I hope to get the book finished within the next four months or so. Also, the second edition of Veni Vadi Vici went to the editor at the end of last week— I have completely rewritten the book, reorganised it, and added a ton of material to the introduction. It’s probably 8 months or so from being published, but this was a major milestone in its production, and it is a much, much better book. Veni Vadi Vici was my first self-published book, and it really shows. The second edition has benefitted greatly from the constructive criticism of many readers, and the expert help of friends and colleagues. I hope it does them justice. I will be sending out ebook copies of the finished book to everyone who backed the crowdfunding campaign, and to everyone I can reach who has bought the well-meaning but flawed Veni Vadi Vici since it launched.

I would say that was a cracking start to 2017, wouldn't you?

Speaking as a teacher, there is nothing more satisfying than finding out that your students have used your material to materially improve their lives in some way, be that as simple as getting better at swordsmanship, or as complex as re-evaluating the entire course of their life. I believe in giving credit where it’s due, and this post is my way of letting someone who has influenced and helped me know about it.

One of the key habits that has lead to my producing so much stuff is that when I hear a good idea, I tend to act on it immediately. Another key habit is I actively look for good ideas to act on, and in the last few years, one of the most rewarding sources of these ideas has been the inestimable Joanna Penn, thriller writer and self-publishing guru. It started when I bought her book How to Market a Book which does exactly what it says on the tin. From the book, I arrived at her podcast, one of half a dozen I listen to regularly. This is an amazing resource for any self-publishing writer, and indeed writers of any kind. There’s something there for everyone. But to the specifics:

By following her advice in How to Market a Book about making friends with influential people, I actually ended up on her podcast talking about swords! This was a nerve-wracking experience for me, being well outside my comfort zone, but has lead to several other opportunities to get my name and work in front of a wider audience. Also, the rest of the advice in that book has been really useful in increasing my book sales directly.

Thanks to the January episode with Ankur Nagpal, of teachable.com, I got the idea to create online courses. I have three up and running now, and more in the pipeline.

Last year I got the idea to write a series of non-fiction shorts, which became The Swordsman's Quick Guide, which is now at 7 episodes and counting. I can’t find the podcast episode that planted that seed, but it was definitely one of Joanna’s.

Thanks to several episodes about or mentioning virtual assistants, I’ve hired one myself, Kate Tilton, who is bringing order to my virtual galaxy.

Thanks to a webinar she did with Nick Stephenson, I have grown my mailing list from about 1200 to over 6000. Specific tactics included making volume one of The Swordsman's Quick Guide free, and including an ad in it for volume 2, also free if you sign up. That by itself added 500 people in a month. Also thanks to Nick, I’ve switched from Mailchimp to Convertkit, and am actually making use of my mailing list.

So if you have any aspirations to write for a living, or you just want a lot of good ideas in one convenient place, go buy all her non-fiction stuff, and go listen to all 220+ episodes of her podcast. That should keep you busy!

And if you’ve enjoyed any of the things I’ve done thanks to Joanna putting the idea in my head, give credit where it’s due!

 

SQG7 Breathing Cover

Everybody breathes, but some do it better than others. Breathing training is the foundation of my martial practice, and as with everything else I do, I'm happy to teach it to you. The topic for the latest instalment of The Swordsman's Quick Guide  was chosen by my student Cecilia Äijälä, and she picked Breathing Training. I was delighted when she did so, because it forced me to get on and write up my training methods.

This book comes in three packages:

1.The Book, with Video

This package includes:

  • the book in epub, pdf and kindle format with links to the videos,
  • plus a separate download of all the video clips to teach you the exercises,
  • plus an embedded epub with the video clips built in.
  • It also includes a £10 discount voucher for the course.


I want this book

2.The Book with Audio and Video

This package includes:

  • the book in epub, pdf and kindle format with links to the videos,
  • plus a separate download of all the video clips to teach you the exercises,
  • plus an embedded epub with the video clips built in,
  • plus the audiobook,
  • plus mp3 recordings of the instructions for the individual exercises,
  • plus two bonus exercises (video).
  • It also includes a £25 discount voucher for the course.


I want this one!

3. The Breathing Course

The course is a carefully designed progression of exercises, spread out over six weeks (you can pace it as you wish, and do it faster or slower). Each week begins with a lesson, in which you will learn the exercises for the week. The week then continues with a shorter practice session, which you repeat ideally every day for the next six days. In the final week, you will learn how to create 5 minute, ten minute, and twenty minute practice routines, so that you will always be able to find time to do some practice.

The course material  includes everything in the other two packages, so all of the book, audio, and video files. The course is available now, but the lesson and practice routine videos are not completed yet. Week one is ready, and all of the book with all of its audio and video material too. Weeks 2-4 have been shot, and I'm editing them right now. The rest of the course material will be uploaded by October 1st.

http://swordschool.teachable.com/courses/breathing-basics

I released this to my email list yesterday (they get just about everything first!) with a healthy 50% discount. If you would like the same treatment, you can sign up to my list below, and I'll send you the same discount links. These links expire on Friday 9th September, so if you're interested, now's your best chance to save a packet.

 

I'm working on the latest instalment of The Swordsman's Quick Guide, which will cover my foundational breathing exercises. The book is already out to my test readers who have kindly volunteered to wade through the sewage of extraneous verbiage and excessive punctuation in search of the faintest glimmer of useful text. My fellow writers will recognise that moment when first draft hits first readers…

I intend to release this book with a lot of extra material, such as video of all the exercises and audio clips so you can play the instructions into your ears, leaving your eyes and hands free. This is completely new territory for me so I don't expect it to be very good right away. The only way that I know of to get better at anything is to do it, get feedback on the results, then do it again. A tiny amount of that feedback can happen internally- I can usually spot the utter crap and kill it before it escapes. But it's far more effective, I find, to ask the community that the work is intended for to try it out and let me know what works and what doesn't.

To that end, here are two clips, one for “Walking Breathing” and one for “How to Stand”. This is the worst way to encounter the material – out of context of the book it goes with. If it survives, in other words if you can follow it, then it's robust enough. Please listen to the clips, and let me know in the comments on this page, or by email to me at guywindsor@gmail.com, whether it works for you. Is it clear? Can you follow the instructions?

Walking breathing exercise:

[audio-clammr mp3=”https://guywindsor.net/blog/wp-content/uploads/2016/08/Walking-breathing-02082016.mp3″]

How to Stand:

[audio-clammr mp3=”https://guywindsor.net/blog/wp-content/uploads/2016/08/Breathing-How-to-Stand-02082016-10.43.mp3″]

So, how was it? Posting the most amusing comment will get you a free copy of the book when it's done, but the most helpful will get the book package with audio clips and audiobook. Carry on!

Yesterday I went to visit my friend Peter Mustonen. He’s an arms dealer; but our kind of arms dealer: gorgeous antique swords, knives, guns, armour, shields; you name it, he has a delicious example. I spent some time playing with swords, you know, as one does.

A Stantler sword, from 1580-1600. Original grip, original everything, beautiful specimen. You could stab it through anything.

While I was there he mentioned finding a book I might have an interest in. Nothing special, just a book.

Just a copy of the 1902 Novati edition of Il Fior di fucking Battaglia.

Let me put this in some perspective for you. My first encounter with Fiore was through fifth generation photocopies of the facsimile section of this book. This was the book that introduced Fiore to the modern world, and lead us to find the Getty, the Morgan, and eventually the Paris copies of the manuscript.

It contains a lengthy scholarly introduction to the work,

From Novati's introduction; a picture of Liechtenauer!

And a complete facsimile of the Pisani-Dossi manuscript (to date the only copy of that manuscript that we know of; the original is yet to re-surface), with a complete transcription.

The facsimile itself.

From a HEMA perspective, this is the book that launched a thousand scholari.

Now it belongs to me.

This means that as soon as I reasonably can, I’ll produce high quality photos or scans and distribute them. I might also produce a paperback reproduction of the whole thing, if there’s a market for it.

Just a short post today, because I have to go change my trousers. And, I have a book to read…

Tell your friends, tell everyone working on Fiore; this book is now OURS!!

A spot of rapier and cloak in the morning?

I have the enormous privilege of owning an original copy of Salvatore Fabris’s Sienza e Pratica d’Arme, printed in 1606. I bought it from Sr. Roberto Gotti, of Brescia, in 2014. It is in incredibly good condition, and an excellent, clean print. It is still in its original binding. The value of the book comes from two things: the information it contains, and the artefact itself. I own the artefact, it is mine, mine, mine, and woe betide anyone who tries to take it from me. But I believe the information it contains belongs in the public domain. This book is yours. So I asked my friend Petteri Kihlberg to photograph it, and I am releasing those photos (with his permission) free and with no strings attached. If you choose to use them for some commercial purpose (such as printing an edition for sale), then I ask as a matter of courtesy that you give credit where it’s due, but I do not insist on it. I've set it to “pay what you want”, and would be grateful for any donation you choose to give; the more money I have, the more fencing treatises I'll buy, all of which will go online for free.


I want this!

I own this book, but the information it contains is part of your birthright as a human being. I hope you will enjoy it, share it, and make something beautiful with it.

Please share this post so that everyone who wants a copy of the book can get one.

And don't miss my other free books! Marozzo's 1568, Girard's 1740, Seven Principles of Mastery, and many more.

Spring is in the air, the grass is pushing up under the snow, and books are making their way from my dusty hard drive and out into the world.

Ok, in Finland, spring is nowhere to be seen. My kids are going ice-skating and everyone I know has a cold. Bear with me. I have another book out, and it makes me giddy.

I'm spending most of this week fulfilling the promises made in my last Indiegogo campaign, for Advanced Longsword. That means doing battle with Lightning Source's arcane and wilfully inefficient “short run” printing interface, manually creating over 250 book orders so that the backers of the campaign will get their books in the post in a couple of weeks. I am also manually packing and shipping a boxful of The Medieval Dagger books. This is all, on the surface, very tedious, BUT it is actually really nice to feel that moment of personal connection with every backer, even as superficially as when I input their address into a web form.

Backers of Audatia should already know that WE HAVE SHIPPED THE FINAL PACKS: Liechtenauer and the Patron are done, shipped, and that marathon of a campaign is now 100% fulfilled. It only took about two years longer than expected. But it is a load off my mind. Crowdfunding is all about transparency, value, and keeping your promises.

And somehow in the middle of all this, I managed to edit together and publish The Swordsman's Quick Guide part 5: How to Teach a Basic ClassThis booklet is 10,000 words long, enough to cover the really important stuff, like safety, writing class plans, making corrections, and so on. The purpose of it is simple: to give inexperienced instructors confidence. If you've read it, do let me know what you think!

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