Guy's Blog

Guy frequently keeps this blog updated with thoughts, challenges, interviews and more!

Well, anything within reason…

I’ll be going live on Reddit this evening at 10pm UK time, which is currently UTC +1, on the “swords” subreddit, here: https://www.reddit.com/r/SWORDS/

(note, not the WMA subreddit that I mentioned in my last email, sorry). I'll be on for an hour, and typing as fast as I can!

The first episode of the podcast https://theswordguy.podbean.com has been well received, thanks to everyone who dropped me a line to let me know. Some have questions for my illustrious guest, so I thought we should get together for a chat…

Jess and I are doing an online pub night AMA (or rather, A us A) over Zoom at 10pm UTC+1 (that’s 4pm in Kansas) on Sunday July 12th. This is a ticket-only event, and tickets are strictly limited. There are some at £12 (buy us both a drink), some at £6 (buy us a drink), some at £3 (buy us a cup of tea), and some are free. Please leave the free tickets for people who genuinely can’t afford unnecessary expenses at the moment, or are coming in from a country with a terrible exchange rate.

We will start with hellos, and kick off by answering questions that ticket-holders send in. About 20 minutes in we will split up into breakout rooms for a short while, so you can chat with fellow sword people. Then Jess and I will come back together for more questions.

The event is scheduled for one hour, but it’s very unlikely we’ll stick to that. Once we get going it’s hard to stop!

The event will be recorded (assuming it all works as it should), and attendees will get access to the recording

You can find the event here: https://bookwhen.com/swordschool#focus=ev-smtk-20200712220000

See you there!

There is a lot going on in the House of Windsor.

The Sword Guy podcast is live, episode one with Jess Finley is up here. It will trickle through to the normal platforms (such as Apple’s itunes etc.) in due course. The second episode will go live on Friday.

I’ve got another 7 episodes in the bag, and have three more interviews set up for this week alone, so it looks like the first season will be at least 12 episodes long.

Jess and I will also be doing a webinar AMA soon, for follow-up questions you may have from the podcast. We’re aiming for some time around 9pm GMT (that’s 4pm in Kansas, 10pm in the UK at the moment) on the weekend of July 11-12, but I’ll keep you posted.

I am running another AMA on Reddit on Wednesday evening (July 1st) at 10pm UK time, 5pm Eastern Standard. The last one went really well, so I thought I’d do another. I think it’ll be on the wma subreddit, here: https://www.reddit.com/r/wma/

I’ll send out a reminder with the exact details on Wednesday.

My morning training sessions are going swimmingly. If you’re free at 8.15am UK time (currently BST) then do join us! You can book in here.

I’m recording them and uploading them to the Solo Training course so you can do them any time. I occasionally forget to hit the record button, so the only way to be sure not to miss one (and to ask for specific exercises or help with training problems) is to join us live.

Here’s one from last week:

I’ll be on BBC Radio Devon tomorrow at 12.30 BST, being interviewed about the solo course.

And I’m charging ahead with a new book idea, about how sword training applies to real life decision-making. The draft is forming before my very eyes…

With the right preparation and diet, people can function just fine without eating for a week. But absolutely nobody functions just fine without sleep for even a couple of days.

Rest is part of training. Poor or insufficient sleep will wreck your whole life, not just your sword practice. It's worth spending some time and effort getting it right.

Let's start with this section from my book The Theory and Practice of Historical Martial Arts, pages 245-247. One of the people who reviewed it on Amazon (and gave it five shiny gold stars, yay!) expressed surprise that I'd put a section on sleep in the book. To me, it's such a fundamental part of training it never occurred to me to leave it out!

***

We live in an absurdly sleep-deprived culture. When someone tells you they pulled an all-nighter, you should not be impressed by their dedication: you should be appalled at their lack of organisation and understanding of basic health principles. It is simply childish to think of staying up late as some kind of cool thing to do. Read Matthew Walker’s Why We Sleep: the New Science of Sleep and Dreams (affiliate link) if you don’t believe me.

There are three kinds of sleep: REM (dream sleep, in which your brain is very active), light sleep, and deep sleep. Your body and brain cycle through these in a rhythm that takes usually about 90 minutes, with deep sleep usually coming towards the end of that. You will need about four full cycles per night, minimum. How do you know if you’re getting enough sleep? If you wake up naturally without your alarm clock, and if you are not tired during the day, then you are sleeping enough. Otherwise, you’re not. Almost everyone (according to Walker at least, and he should know) needs about eight hours. If you suffer from any kind of insomnia, go to the doctor. Avoid sleeping pills, obviously, but there are many kinds of sleep problems, and many of them are easily treated. If you snore, get yourself checked for sleep apnea. I had it for a long time, and eventually went to the doctor and had it treated with a minor surgery. I suffered the worst sore throat ever for about three weeks, but within a couple of months the difference in my energy levels was incredible thanks to improved quality of sleep. Friends of mine with apnea caused by being fat (when the muscles of the neck relax in sleep, the weight of the fat in their neck literally crushes their airway, so they choke and wake up) have found that a CPAP machine (continuous positive pressure; literally pushing air into the lungs, keeping the trachea open) has made a gigantic difference. Help is available.

The basic principles of getting enough sleep are:

  • Go to bed and get up at the same time every day. Earlier to bed is better: my Grandma used to say that “one before eleven is worth two after seven,” and as usual, she was right.
  • Avoid caffeine for at least six hours before bedtime, or ideally twelve. Using a sleep tracker I was able to confirm my suspicion that simply not having tea or coffee after 2 p.m. made an enormous difference – not to the total amount of sleep I was getting, but to the amount of deep sleep.
  • Avoid alcohol for at least four hours before bedtime. Again with the sleep tracker, I found that a couple of glasses of wine made no difference to sleep quality, so long as the alcohol was out of my system before going to bed.
  • Avoid eating a heavy meal for at least three hours before bedtime. This makes a huge difference, I find. If my body is working on digesting a big meal, my heart rate remains much higher all night than if I go to bed long after the last calorie went in.
  • Avoid screens for at least an hour before bedtime. If you absolutely must be using a screen, on an iOS device enable Night Shift, or use F.lux or something similar to adjust the wavelengths of light your screen emits. 
  • Avoid social media for at least an hour before bedtime. There is nothing more likely to keep you awake than some foolish thing said on the internet. Remember that social media companies hire really clever people whose only job is to get and keep your attention; and nothing says you’re not paying attention like falling asleep.
  • Keep your bedroom as dark as possible: use black-out curtains, and cover or switch off any sources of light pollution such as luminous clocks or devices with LED lights on them. This to me is one of the hardest things to get right when travelling. One hotel room I stayed in had an illuminated light switch in the middle of the headboard of the bed. I had to get my old boarding pass out and stick it over the damn thing with chewing gum to get any sleep. Eyemasks are ok, but I find they come off in the night.
  • Create a wind-down ritual that persuades your body that it will be going to sleep soon. Keep it gentle. I find reading a good novel is hopeless, because I stay up late to get to the next bit, but reading a fairly dull but useful non-fiction book is great.
  • Get a decent mattress. It’s worth it. You literally cannot put a price on sleep.

I also use naps extensively. If your schedule allows it, cutting your night time sleep by an hour or so is okay if you get a full sleep cycle (so a solid 90 minutes of sleep) in the afternoon. Shorter naps can be helpful, but nothing replaces deep sleep. As this book is also concerned with history, I should mention that throughout most of human history artificial lighting was incredibly expensive. It is only in the last century or so that ordinary people can afford brightly lit rooms after nightfall. Thanks to Roger Ekirch’s book At Day’s Close, Night in Times Past (affiliate link), we know that at least some Europeans used to sleep in two blocks, with an hour or two of wakefulness in between. In the 1990s, Thomas Wehr (a psychologist) found that people who live in darkness for fourteen hours per day spontaneously develop a similar pattern, so it may be very natural. It’s worth experimenting with, I think. 

For a layman’s overview, see the article entitled “The myth of the eight-hour sleep” by Stephanie Hegarty, published by the BBC on February 22nd 2012. http://www.bbc.co.uk/news/magazine-16964783

The key with this – as with every aspect of health habits – is to experiment carefully, and track what makes a difference for you. 

***

In lockdown it may be even harder than usual to get good sleep, especially if you are living in a confined space. Ideally, you would do nothing at all in bed except sleep, so that your mind associates going to bed with going to sleep. (The only exception I'd make to that is sex.) If you work in bed, watch tv in bed, use the bed like a sofa, and so on, then your mind may associate going to bed with getting work done, or playing video games. If your bed is your sofa, then you can work around this by having a day set-up (such as covering the bed with a blanket and some cushions), so ‘bed' becomes ‘sofa', and then as part of your going to sleep preparation, you re-set the “sofa” into a bed. So long as you perceive it as a separate space set aside for sleep, it should work just fine.

There's a lovely video on how to create separate spaces for different activities in lockdown here:

(With thanks to Stefan Geritz for pointing me to it)

If there is one thing to take away from this blog post, it's this: take your sleep seriously, and guard it as well as you possibly can. It's absolutely fundamental to your health. If you are having problems sleeping (as many do, including me), then make it your top priority to get more and/or better sleep. You deserve it!

I've been on local radio in the UK a few times in the past week.

Friday 19th June:

BBC Radio Hereford and Worcester, with Malcolm Boyden: https://www.bbc.co.uk/sounds/play/p08fx649 Interview starts about 8 minutes in.

BBC Leicester, with Martin Ballard: https://www.bbc.co.uk/sounds/play/p08fx8h7 Interview starts about 3 hours 22 minutes in.

Monday June 22nd:

BBC Somerset with Simon Parkin: https://www.bbc.co.uk/sounds/play/p08gng7b Interview starts about 3 hours 16 minutes in.

Thursday June 25th:

BBC Radio Suffolk with Stephen Foster: https://www.bbc.co.uk/sounds/play/p08gnq1z interview starts about 1 hour 37min in.

Tuesday June 30th:

BBC Radio Devon with David Fitzgerald: https://www.bbc.co.uk/sounds/play/p08h0nn7 Interview starts about 2 hours 34 minutes in.

These links expire four weeks from the date of the interview.

It's quite scary going on the radio, for no good reason- it's not as if the presenter is trying to kill you! But it was a great opportunity to practice fear control in a safe setting 🙂

I was also interviewed for the East Anglian Daily Times, the article came out on Wednesday July 1st, a nice two-page spread:

And you can find the article online here: https://www.eadt.co.uk/sport/ipswich-swordsman-teaches-sword-lessons-via-zoom-1-6727131

 

 

Lockdown has been tough for a lot of people, and I wrote something a while ago about not feeling bad if you’re not buzzing with creative energy right now. 

But something happened in me after about 10 weeks of lockdown- perhaps I adjusted to the new reality, or just got bored enough, and for the last couple of weeks I have been madly creating stuff. In addition to several blog posts, there are several major projects in the pipeline. This sort of fallow period followed by a productivity explosion is my normal modus operandi (especially after producing a new book). I lie dormant for a while, then things start to sprout. Here's what's coming down the pipe:

1) I’m starting a podcast. It’s called “The Sword Guy”.

Because why not? I have been thinking about it for a long time, and the thing that tipped me over the edge was when I realised I don’t have to do it every single week forever. I can do it in seasons. The first season, provisionally titled “Voices of Historical Martial Arts” is a series of interviews with interesting sword people. Some I’ve never met, some I’m close friends with, and some in between. I have seven episodes in the bag, with three or four more scheduled to be recorded. I’ll be launching probably next week (just getting all my ducks in a row). I was planning a six-episode run, but it’s already grown to at least ten.

I’m coming out with all guns blazing- my first guest is none other than the legendary Jess Finley. We talk about all sorts of things, including medieval tree diagrams, gambeson shoulders, and even horses. 

I’ll let you know when it goes live!

One of the triggers for starting the podcast was an interview I did recently with a writer, Scot Hanson, who contacted me for help with a fight scene. He came back with a bunch of questions, and it was obvious we’d need to talk over the phone, so I thought we’d record it. You can find that interview here.

2) On the subject of audio- I’m in the process of getting The Theory and Practice of Historical Martial Arts professionally recorded as an audiobook. Most of my books are too illustration or video heavy to make good audiobooks, but Theory and Practice will work just fine. The process is obviously quite expensive, so when I’ve selected a narrator and we’re good to go, I’ll open up pre-orders on my Gumroad shop to help cover the costs.

3) I have two new books at the 30,000+ words draft stage. They are Solo Training, the book to go along with the Solo Course, and another work I’m not going to share the working title of yet, but it’s an attempt to write a book about lessons from sword training for the general reader. Two large drafts may seem like a lot of typing, but it's not, because I cheat. Particularly for the Solo Training book, I’m using AI-generated transcriptions of the Solo Training course videos as a starting point. A couple of hours work extracting the audio and running them through the transcription service rendered me a 64,000 word manuscript without any typing at all! It is much, much, easier to edit a crap first draft into a good second draft, than it is to write a good first draft straight off the bat. I’m a big fan of doing things the easy way.

On the subject of books- you know my Rapier Workbooks? I’m giving up on the spiral bound editions, at least for now. Distribution has been an expensive nightmare, so I’m putting them into my regular distribution channels as perfect-bound paperbacks. It’s a shame, really, because spiral bound is better for this format, but I can’t argue with the economics any longer. Still, there’s nothing stopping people from re-binding the books when they get them.

4) We are half way through the live Meditation for Martial Artists course, and it’s going very well. The BookWhen scheduling service seems to work pretty well, and I’m going to re-shoot every class for a standalone online course soon. I thought we could use the zoom footage, but it’s not quite right for a pre-recorded course. The zoom footage is going up on the course platform too, but at present only people on the live course have access.

5) My Monday, Wednesday and Friday trainalong sessions are going wonderfully. Just having some students depending on me to show up makes me train harder, longer, and better. So as a positive constraint, it has worked extremely well. If you can be awake at 08.15 UK time, then join us! You can join for free or pay a token £5. You can see a sample session here:

I’m enjoying it so much I’m thinking about running a sword-handling-indoors-with-low-ceilings class on Thursdays at 16.00 UK time (so our Western friends can join in). Sound like fun?

6) I’m scheduled to be on a few local radio stations over the next few days, talking about the online courses and lockdown. BBC Hereford and Worcester tomorrow (Friday 19th June) at 10.05am; BBC Leicester at 16.50 tomorrow afternoon; and BBC Somerset at 13.15 on Monday ( June 22nd). Tune in, and I'll try not to flub.

7) I have just finished a major woodworking project. I made this box for our friend Mike’s widow to keep his ashes in. He died in April from COVID-19. We couldn’t attend his funeral because of the lockdown, so when his widow was distressed about the fact that he was in a cardboard box and there seemed to be no good options available commercially, I offered to make something.

It's walnut and ash, with a gently rippled birch veneered panel with his initials inlaid proud in walnut. As a craftsman all I can see are the mistakes, but that’s ok- it’s not supposed to be a tour-de-woodworking-force, it’s supposed to be a gesture of love.

So that's what I've been up to. It seems like a lot, and perhaps it is, but you should be aware of the following things: 1) my kids are at an age where they require very little direct intervention. If they were only a few years younger, I'd probably have got nothing done at all. 2) I don't have a day job. This is my day job. 3) I've got 20 years experience of being self-employed. 4) We live in a house where I have a separate study room and can shut the doors when I need to work. My situation is completely different to that of most people experiencing lockdown, so please don't compare yourself to me unless you can look down your nose and say “Guy, you're a slacker”.

To which I'll reply: “absolutely!”

 

 

Pulling down statues is a form of protest with a long and varied history. When I hear of a statue or other public monument being destroyed I either cheer or am appalled. I was horrified by the wanton crass destruction of the Buddhas of Banyan by the Taliban in 2001. I was uplifted by the destruction of the Berlin Wall in 1989. The former was an expression of hate and cruelty, the latter the action of a people who had been repressed for decades, literally breaking down the wall that held them back.

I love history, and I love being surrounded by ancient things. One of the few things I prefer about England to Finland is the way properly old buildings are still littered about. Visiting places like the USA and Australia, it feels like the culture hasn’t had time to sink into the landscape. Everything sits on the surface. In Italy you can see towns and countryside than appear mostly unchanged for five hundred years. 

I love that, but it isn’t necessarily a good thing. If we never tore down anything, there would be no change, no growth. And most of the old buildings I love so much are built on the ruins of an older building that got torn down to make way for the shiny new state-of-the-art castle that’s now centuries old.

I’m never in favour of destroying a work of art, but as I see it there is nothing intrinsically right or wrong with preserving or removing a work of art from a public place. It really depends on what that thing represents, and what it is replaced with. The question I ask myself whenever I hear about a statue being pulled down is this: is it more like Banyan, or Berlin?

Edward Colston was a slave trader, Deputy Governor of the Royal African Company, the British Imperial slave trading company (yes, the British state traded slaves, and made a fortune out of it). He was also a local philanthropist, founding schools, almshouses and so on, using the money he made out of the most profound human misery to reduce misery in the town he lived in. It’s the latter part that’s the justification for a statue of him in Bristol. By the standards of his time he’d earned a statue, no question, though it was only erected in 1895, over 170 years after he died. 

But imagine the outcry if someone tried to erect a statue of Colston today. The protesters that tore it down and threw it in the canal were doing so to make the clearest possible statement that keeping Colston on his pedestal is not consistent with the values we hold now.

I imagine that black people having to walk past a statue of Colston on their way to work would be similar to a Jewish person having to walk past a statue of Goebbels every day. A very clear statement that the powers-that-be where you live are quite comfortable with the history of the enslavement and murder of people like you. I’m just surprised that Colston stood so long, and him being thrown in the canal is clearly towards the Berlin end of my scale.

Likewise, in the USA we see statues erected to Confederate heroes, who fought bravely to prevent the freedom of their slaves. Really, what’s more important? Their bravery or their stated goals? Tearing down the statue doesn’t change the history, it’s a statement about how we view that history.

We erect monuments to the people we revere. We literally put them on a pedestal. No human being actually deserves a pedestal- every saint was a sinner, and nobody has a long and successful life without making mistakes. But this is not about holding historical figures unfairly to modern standards of good behaviour. Pretty much every historical figure would fail that test. It is about what historical figures we choose to put on a pedestal because their contributions outweigh their flaws and they can reasonably be held up as examples. 

In a perfect world nobody would vandalise statues because in a perfect world nobody would erect statues to slave traders. Or, as morals changed, historical figures whose cons come to outweigh their pros would have their statues taken down as soon as they were no longer a figure to be looked up to. But we don’t live in a perfect world, and so it takes acts of protest to do what should have been done already. In that same perfect world, the statue of Colston would have been removed long ago and placed in a museum (because it has cultural and artistic significance, and he was extremely influential in the history of Bristol) with a full and fair description of his life, the evil and the good. Or perhaps been put in a “statue park of people we don’t like any more”, such as Coronation Park outside Delhi became after Indian independence. But that did not happen, and so the people took matters into their own hands. Museums can handle nuance, historicity, the full story, and preserve artefacts from every kind of culture. Public monuments ought to represent only the ideals of the public they serve.

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