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Guy frequently keeps this blog updated with thoughts, challenges, interviews and more!

Tag: martial arts

Authenticity is the root of martial arts. It is what gives it value. Every martial art draws its authenticity from one or more of the following: lineage, competition, combat or a written source. This is how we answer the question “how do we know this is correct?” :
• Lineage: authority derives from the teacher. This is the most common model in classical martial arts, and can be easily identified by the way the teacher is presented as being either the founder of the style, or the successor to a line of previous masters. “It’s correct because my teacher says so.”
• Competition: authority derives from success in tournaments. This is why champion competitors who may not be good teachers nonetheless gain many students. This feeds into the first type.“It’s correct because it works in competition.”
• Combat: authority derives from success in combat. This is very rare outside the military and police fields, which are both organised along lineage lines (with a very clear hierarchy). Standard operating procedure is ideally followed because people have survived combat by applying it. “It’s correct because it works in combat.”
• Documentary evidence: authority derives from the book, the source. This is the basis of historical martial arts: if it follows the words and the pictures accurately, it’s probably right. At its best, anyone who has studied the book can challenge the teacher, regardless of physical skill. “It’s correct because it says so in the book.”
It is normal for these to become conflated. My teacher won an olympic gold medal, therefore I do what he says: competition becomes lineage. Five generations ago my lineage founder was a famously successful samurai. Therefore I do what my teacher says. Success in combat becomes lineage.
Lineage tends to be the most prestigious but least reliable of all these models because every generation adapts and changes what they inherit. It is humanly impossible for any art-form to remain truly identical over generations, because people are not digital recording devices. We always interpret the message.
It is important to keep these models separate because otherwise we may be lead into authenticity errors. “It says it in the book” does not mean “it will work in competition” does not mean “it works in combat” does not mean “my teacher says so”. When following a martial path, we must above all do what works for us. For some, finding a great teacher is the best path. For others immersing themselves in competition. Or joining the army. Or following the written word of some long-dead genius.
In my school we are very much “by the book”. Textual authority outranks any teacher. But the average beginner, who has not yet learned how to make sense of (for instance) a medieval manuscript, will naturally revert to the lineage model: I do this because my teacher says so. That is fine and a perfectly normal starting point: but if it ever becomes the be-all-and-end-all of authority, then our authenticity is lost.

There is a very interesting article in the New York Times on the sportification of kendo (thanks for Devon Boorman of Academie Duello for pointing it out) here: The Way of the Sword Is Too Complex for the Olympics – NYTimes.com.

For those of us engaged in recreating the killing arts, it seems odd that kendo would be thought of as a “pure” martial art: from our perspective, if it has World Championships, it must be a sport. But the kendoka I have met all insist on it being a martial art, and I've never really understood why until reading this article. The key is in the last few lines:

“Kendo is not a sport, it’s a martial art,” said Daniel Ebihara, who has taught in New York since 1958 and coaches the Venezuelan national team. “It’s not about how to win. How to be is more important.”

This is places the definition of martial art as they are using it squarely at the self-improvement pole (I think of martial arts being pulled towards five poles: killing, self-improvement, sport, spectacle and health. See pp 5-6 of The Swordsman's Companion for the full argument). The article continues:

Getting points and winning medals and becoming a champion are hardly the aims, Ebihara said, yet he sees kendo going in that direction. For him, victory entails something else.

 

“In kendo, the prime opponent is yourself,” he said. “If ippon is perfectly executed, the other side will bow to you and smile.”

I love this. It absolutely defines the nature of a good bout in our arts. Winning a tournament is of infinitely less value than becoming more than you were; and a great hit is wonderful to be a part of, whether you deliver it or receive it. If you weren't fencing at your best, your opponent could not pull off that stroke.

But this is fencing. The Art half of martial art. It leaves out the essential nature of what makes a martial art martial.

 

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